Bombay Talkies – Review

Film – Bombay Talkies

Bollywood Celebden Rating – 4/5

Cast- Rani Mukherjee, Randeep Hooda, Katrina Kaif, Saqib Saleem, Nawazuddin Siddiqui, Vineet Kumar, Sadashiv Amrapurkar, Naman Jain.

Direction- Anurag Kashyap, Dibakar Banerjee, Karan Johar, Zoya Akhtar.

 

A quartet of four contemporary movie directors come together to mark the centennial celebration of Indian Cinema by making an anthology of four short films. Karan Johar, Dibakar Banerjee, Zoya Akhtar and Anurag Kashyap, these geniuses display something that they have never done before and probably won’t get another chance to. Each was given a budget of 1.5cr and looks like they’ve done justice in all respect.

Plot :

Karan Johar.

The movie starts with Karan Johar’s short film. This movie revolves around three people – Dev ( Randeep Hooda ), Gayatri ( Rani Mukherjee ), Avinash ( Saqib Saleem ). Now, we know Karan Johar and his style of movies, music, stunning locations, ecstactic costumes, etcetra etcetra.  But in this movie, looks like Karan Johar has taken a U-turn from his customary. His film starts with the  monotonous life of a  married couple – Gayatri and Dev and how Gayatri meets her new collegue in Avinash who plays a homosexual rebel in the movie and flips their whole world upside down.

Rani Mukherjee is a sexually repressed wife in the movie and befriends Saqib Saleem at work. While she wonders why her husband ( Randeep Hooda ) doesn’t pay heed to her sexual needs, the young guy turns around the married man’s life and shows him his misplaced sexual tug. While the plot surrounds the ongoing societal cringe on homosexuality, you see how it unfolds the message of how sexuality is being hidden inside closets fearing a stamp of marriage.

 

Dibakar Banerjee.

A middle class family man ( Nawazuddin Siddiqui )  struggles to make a living. No jobs, no opportunities and no money. Based on the short film of Satyajit Ray’s ‘Patol Babu, Film Star’, Dibakar Banerjee has paid an ultimate tribute to Ray. After failing to reach for a job opportunity on time, Purandar ( Nawazuddin Siddiqui ), he reaches an area where a film shoot is taking place. Eventually, he lands up with a bit part role in the movie and that’s when he imagines his late father talking to him, making him realise the fact that personal satisfaction cannot be compared to monetary incentives.

In the end, the contentment on Nawaz’s face and the way he describes his day’s story to his down-with-fever daughter is just a treat to watch. The plot’s main punch comes here, where Nawaz’s stunning dexterity lures the spectators to the core emotional point. Without any words spoken and just a Tagore song playing in the background, Nawaz’s body language and how he engages her daughter into the whole atmosphere of felicity is completely bliss.

 

Zoya Akhtar.

A small kid ( Naman Jain ), named Vicky in the movie, is completely allured by Katrina Kaif. The little boy wants to explore his sexuality while his father, played by Ranveer Shorey, is adamant on making his son play sports to get tough. The plot revolves around belief. Self-belief and Dreams. Taking into account how Katrina coming into Bollywood without knowing anybody and a single word of Hindi, is now a superstar, the boy also wants to follow her footsteps. Obviously the boy couldn’t just tell his dad “Kyun Ladki Hone Mein Kya Burai Hai? So he hides his dream within himself and wishes to make it come true when the time is right.

Though the movie doesn’t match up to the other ones, Zoya Akhtar amazes us with her technical expertise. The elation on the guy’s face while watching the item number, Sheila Ki Jawaani, is really worth and how he wishes to be like her. While the performance of Ranveer Shorey as a disciplinarian father is done with perfection, the little kids, Naman Jain and her sister in the film Khushi Dubey are just groundbreaking with their respective roles. Katrina Kaif plays a sparkling cameo in the film.

Anurag Kashyap

Anurag’s short film is about a young man Vijay ( Vineet Kumar )  who arrives in Mumbai to fulfil his ailing father’s (Sudhir Pande) last wish. Anurag Kashyap, with this movie, should be able to tight-lip the naysayers who say that he confines to limited themes for his movies. While he’s known for his swimming against the tide type of dark films, in this movie he has expressed more than just one thing. Vineet Kumar hails from Allahabad, UP and comes to Mumbai with a wish to meet Amitabh Bachchan. He is on a hopeful journey to meet Big B and make him eat his mother’s Murabba. 

Vineet Kumar’s performance in the film considering his role as an outsider to the new city of Mumbai is just outstanding. Anurag’s film evokes millions of emotions in us, happiness, sorrow, a few tears would shed when something transpires during the train journey of Vijay. All in All, one of the best among the four short films.

 

The Last Word

All the three actors of Karan Johar’s part have performed brilliantly especially newcomer Saqib Saleem. The movie also highlights a very controversial topic in today’s world especially in our country. Zoya Akhtar and Anurag Kashyap have done justice in celebrating the 100 years of Indian cinema with their mind boggling plots and expertise. But the standout performance was Nawazuddin Siddiqui’s in Dibakar Banerjee’s short story. His acting keeps you glued to the screen and makes you feel everything that you haven’t yet.

Though the movie has not much of the ‘centenary celebration of Indian cinema’, Bombay Talkies is surely something that everybody should watch and have a glimpse of four different lives living in the same world with four different societal problems.

 

 

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